The Hyperion Cantos is a masterpiece which every scifi fan ought to have read, but I would like to recommend a lesser known title of Simmons for readers who have read at least some works of Charles Dickens (self-explanatory) and Wilkie Collins (such as The Woman in White or The Moonstone).
Simmons wrote Drood (2009), which takes these two classical authors and places them in a mystery novel. What struck me as particularly masterful is that Simmons managed to write his prose in such a way that as a reader you soon forget that this book was not written in the 1800s — his tone and style match that of Dickens and Collins so convincingly.
I’m not saying that you have to be religious. But if you find those topics and related symbolisms rather uninteresting in your sci-fi, then the books may not be for you.
I mean, it's not my fandom, but Catholics do have a wicked sense of symbolism and decoration. Hyperion wouldn't be as colourful if Simmons used a bunch of Evangelicals instead.
To be fair, the first novel Hyperion is quite literally a survey of major world religions, not just Christianity. It does settle onto Christian symbolism in the second book onward, but the first two novels alone are still worth reading for their ideas. No affinity required, it's just the default Western canon at work.
It’s particular topics of that canon, and you have to fancy their treatment in a science-fiction setting. Some people like science-fiction because/when it proposes fresh perspectives that aren’t rooted in, by lack of a better description, non-enlightenment parts of that canon.
It's interesting how different stories have different underlying religious underpinnings in different parts of the world. It's important to consider that these themes are precisely because the stories are born from the surrounding culture.
Christian references in the Cantos were probably incidental, given the expected familiarity of the intended audience (american white male young men). eg The Matrix trilogy started with the obvious messianic hero's journey, then attempted to expand it in the following films (karma, cycles of death and rebirth, etc).
For some, these religious messages can be a turn off, I agree. I happened to be raised in a culture that allowed me to ignore it more or less and I can recognize that.
Not sure if I agree with the christian references being incidental ... the first book is literally a retelling of the The Canterbury Tales, all the characters are on a pilgrimage. there are a bunch of religious groups with at least one being central to the story, there are cross shaped parasites that grant eternal life.
I still think you can enjoy it without caring much about religion.
>there are cross shaped parasites that grant eternal life
Without giving away any spoilers to the books, the parasites are only that on the surface. If anything, the books present a wary picture of religion, especially the last two Endymion books, but also a wary picture of technology.
>Christian references in the Cantos were probably incidental,
They're not at all incidental. The themes and the literal Catholic Church don't just make it into the books by osmosis, they're central to it and deliberate.
Like Gene Wolfe he's part of a pretty small group of US authors who wrote Catholic speculative fiction. Like Wolfe his writing is also fairly un-American. If Heinlein or Asimov are examples of archetypal US science fiction, Simmons is about as far as the other end as you can be, with the post-modern structure, the Canterbury Tales as a template for the story and so on.
I tried reading it but I couldn't get into it. Maybe it the heavy religious themes or just the science fiction being so far into the future? I really should give it a shot again
Great writer. For people who want to get a taste of Simmons without committing to an entire book, I would recommend this (very) short story: The River Styx Runs Upstream[1].
Hyperion is the better novel but Carrion Comfort is just really exciting and creepy. And the way the mind controllers treated regular humans like toys hits far too close to home now.
Simmons opened new frontiers of thought for me with his Hyperion Cantos. A house with each room on a different planet. A heartbreaking tale of a daughter aging in reverse. A romance playing out over space and time. A grand piano on the pop-out balcony of a starship. The cruciform parasite. The Shrike.
Branches of humanity torn between decadent stagnation and radical evolution. The artificial intelligence civilization with its own agenda. The All Thing (Internet) as the third branch of government.
The TechnoCore using human minds as unwitting processing nodes — to solve a problem humans couldn't even be told about — reads differently every few years. 2026 is a particularly strange time to reread it.
Probably the idea is broad enough to get away with borrowing it or putting their own spin on the general idea (I mean, it is expected that stores will influence each other and ideas will spread). I’d rather guess that a studio executive thought the battery idea would be more understandable to people (if that is the case though, I think they were dramatically wrong, the computing idea makes much more sense and I think all of us in the audience would have been fine with it).
I saw a YouTube video where they said this was more-or-less the original backstory but then they changed it. I think it said that the People In Charge thought the 'living power source' would be easier for the audience to understand?
I don't have the link handy, and don't trust everything I read on the Internet, etc, etc.
But yeah - this makes so much more sense than breeding, raising, and feeding humans just to harvest their body heat.
I think we the urban legend really sticks around because the compute explanation just makes much more sense and we all want this beloved movies not to have a sill (albeit inconsequential) plot hole.
I like to think the machines actually were using them for processing power, and the humans themselves just misunderstood (or oversimplified for Neo) what was actually going on.
Processing power is my second favorite explanation.
My first favorite would have been: they don’t use the humans for anything, the pods are just the most efficient way to store humans. The machines think they are being benevolent, just want peace and quiet and for humans to stop doing dramatic things like scorching the sky. But I don’t know where the plot would go from there.
I'm sure that one Star trek episode had the same premise, together with something from Lem. The connection human/machine brain is rather old and human brains being used for computation is so reused, it is practically public domain.
Wow. I picked up a copy of Hyperion this morning while taking a random stroll through town - something I rarely do during a work day anymore. I popped into a book shop on a complete whim, and picked it up as it had been on my list for a while. The coincidence feels deeply uncanny.
I started reading it for the first time this week. It’s just a statistical anomaly… but humans are wired to notice and feel coincidence; it connects us to space and time in a way that must have helped make religion more believable.
Same here. It's a fading memory, but the decade following 9/11 really did feature a lot of big brains turning THE COMING CALIPHATE into an existential threat to humanity. Which seems quaint, now.
I read the Hyperion books during a particularly intense period of my life and found them quite powerful. I didn’t know anything about Simmons at the time, but I suppose I shouldn’t be surprised that like Tolkein these stories started with an oral format for children.
My "intense time of life" story re: Hyperion. I was finishing "The Rise of Endymion" and was stricken with a kidney stone. It was absolutely eerie, and has cemented my memory of that book in a strange way.
Very much agreed. I haven't read all of Dan's work to comment how it ranks among his output, but Carrion Comfort is a book that I still think back on years after I read it.
Currently finishing up The Terror. I've never read a horror story until I got this. There are times I struggle to put it down, incredible book. Simmons painted quite a colorful picture of what it's like to die from scurvy so now I bring an emergency orange wherever I go.
Well there was no way the show would be quite as good as the book. But I was still pleasantly surprised, it was definitely better than the average TV adaptation. The actors were very good.
THANK YOU!!! The Terror—the book—absolutely blew me away. I still am in awe of that book. Just everything about it.
And yeah the adaptation was so, so weak. But it faced the same problem many horror movies do, which is that if you're forced to show the Thing™ it loses all its power.
Although it's quite a flawed novel compared to brilliant space opera like Hyperion, I have a bit of a soft spot for Carrion Comfort. I think it'd make a great movie!
It obviously owes a lot to Stephen King’s IT. But it stands on its own merits…and I give it extra credit because it was set in my home town. (https://en.wikipedia.org/wiki/Summer_of_Night)
I would also rate this above hyperion, like hyperion book 1 it crossed into the horror genre quite well, the rest of the hyperion books were a little bit too preachy but a good series never the less. RIP Dan.
Enjoyed the first Hyperion, but Fall of Hyperion was a bit of a slog for me. If Fall of Hyperion were compressed into the conclusion of Hyperion and other stories left as novellas (in the way James S.A. Corey has done), I think I would have enjoyed the story more.
In contrast, getting through Hyperion was hard for me (some of the character stories I LOVED and some felt like a slog), but I really loved Fall of Hyperion.
I did find the transition from Hyperion to Fall a little jarring. It has a completely different narrative structure for a start, but more importantly the scope goes from a single group of people doing a pilgrimage to a huge interstellar conspiracy. I think it works best if you read each book slightly separately rather than as one huge work.
I liked all of the Hyperion/Shrike novels, except when Raul Endymion persistently refers to the heroine/love-interest as "my young friend", or similar phrasing - slightly creepy/boring.
I didn't know that Summer of Night was a series - really liked the original book - will have to investigate.
I have to admit that I found the Hyperion Cantos to be a bit of a disappointment. There were some decent bits and pieces scattered throughout, but overall the story never seemed to resolve into something I could find engaging.
Pro: Interesting world building, Canterbury Tales in space, Huckleberry Finn in space, strong female characters.
Con: Pro Judaism and Christianity (albeit with much criticism to both) and anti Islam, awkward sex scenes, awkward Lolita-esque vibes in the latter books.
As a general rule, if an announcement about a movie project is over a year old and nothing else has been mentioned since, you can safely assume it's no longer a thing.
I had a copy of Hyperion but didn't read it for years because the scary knife robot on the cover seemed intimidating. I finally read it, and all the sequels, and they were great books, and hell YEAH that was an intimidating knife robot! Sometimes you CAN tell a book by its cover.
...does it though? I mean we don't have to argue about personal desires and opinions. But Hyperion simply doesn't seem adaptable. You would lose everything that makes it great.
A girl I was infatuated with told me to read Hyperion when I was in my early 20s. Never read a book to try to win someone's affections. It won't work, but what's worse is you won't even enjoy the book.
I read a lot of SF and just last year I thought it was about time I gave it another go. I couldn't put it down. Almost couldn't believe what I was reading, it was so good. Continued to read the other three and it was just a good all the way through. Was quite sad when I finished and it was all over.
It now has a permanent place in my library. I expect I'll enjoy it even more on my next reading. I can only dream of giving people as much joy as an author like Simmons.
I sincerely hope they don't make any adaptation... after the slaughterhouse they've made with 3 Body Problem, Foundation, Altered Carbon, et al Not to mention all the damage done to other more traditional works of fiction.
Yeah, the Islamophobia in Ilium/Olympos made me really tempted to put the books down several times. It's such a strange about-face from when he wrote the character Kassad in the Hyperion Cantos.
Like Frank Miller, it seems like 9/11 just broke him.
Things most people don’t know about Illinois is that while the Mason Dixon line officially goes around the bottom of the state, philosophically it cuts through the middle. Peoria is maybe thirty miles north of the rednecks.
Add that he was a boomer and I was disappointed but not surprised when people started complaining about him.
9/11 kinda broke his brain, as I recall. (The book Flashback is… ooof. Hyperion includes a major Muslim character and it’s just a wild shift between the two.)
his updated view of the world involved global warming being a hoax and that obama (literally obama, not even a fake obama parallel) caused the end of the west.
Simmons wrote Drood (2009), which takes these two classical authors and places them in a mystery novel. What struck me as particularly masterful is that Simmons managed to write his prose in such a way that as a reader you soon forget that this book was not written in the 1800s — his tone and style match that of Dickens and Collins so convincingly.
You have to have some affinity to religious/Christianity/church topics, otherwise it’s quite a turn-off.
I’m not a Christian, BTW.
It’s particular topics of that canon, and you have to fancy their treatment in a science-fiction setting. Some people like science-fiction because/when it proposes fresh perspectives that aren’t rooted in, by lack of a better description, non-enlightenment parts of that canon.
Christian references in the Cantos were probably incidental, given the expected familiarity of the intended audience (american white male young men). eg The Matrix trilogy started with the obvious messianic hero's journey, then attempted to expand it in the following films (karma, cycles of death and rebirth, etc).
For some, these religious messages can be a turn off, I agree. I happened to be raised in a culture that allowed me to ignore it more or less and I can recognize that.
I still think you can enjoy it without caring much about religion.
Without giving away any spoilers to the books, the parasites are only that on the surface. If anything, the books present a wary picture of religion, especially the last two Endymion books, but also a wary picture of technology.
They're not at all incidental. The themes and the literal Catholic Church don't just make it into the books by osmosis, they're central to it and deliberate.
Like Gene Wolfe he's part of a pretty small group of US authors who wrote Catholic speculative fiction. Like Wolfe his writing is also fairly un-American. If Heinlein or Asimov are examples of archetypal US science fiction, Simmons is about as far as the other end as you can be, with the post-modern structure, the Canterbury Tales as a template for the story and so on.
[1]: https://talesofmytery.blogspot.com/2013/02/dan-simmons-river...
Branches of humanity torn between decadent stagnation and radical evolution. The artificial intelligence civilization with its own agenda. The All Thing (Internet) as the third branch of government.
So much good stuff, published in 1989 no less.
Rest in Peace to a true legend.
I don't have the link handy, and don't trust everything I read on the Internet, etc, etc.
But yeah - this makes so much more sense than breeding, raising, and feeding humans just to harvest their body heat.
https://www.reddit.com/r/movies/comments/1amree7/theres_a_wi...
https://news.ycombinator.com/item?id=47185076
Machines trying to be benevolent, but overly controlling.
My first favorite would have been: they don’t use the humans for anything, the pods are just the most efficient way to store humans. The machines think they are being benevolent, just want peace and quiet and for humans to stop doing dramatic things like scorching the sky. But I don’t know where the plot would go from there.
I read that many years ago, forgot the source.
And yeah the adaptation was so, so weak. But it faced the same problem many horror movies do, which is that if you're forced to show the Thing™ it loses all its power.
It obviously owes a lot to Stephen King’s IT. But it stands on its own merits…and I give it extra credit because it was set in my home town. (https://en.wikipedia.org/wiki/Summer_of_Night)
If The Fall of Hyperion were 1/3 of the length and part of the first book it would be perfect.
I didn't know that Summer of Night was a series - really liked the original book - will have to investigate.
And, of course, I'm sad he's died.
R.I.P.
Can someone who liked it share why?
Con: Pro Judaism and Christianity (albeit with much criticism to both) and anti Islam, awkward sex scenes, awkward Lolita-esque vibes in the latter books.
https://deadline.com/2021/11/bradley-cooper-set-hyperion-at-...
I read a lot of SF and just last year I thought it was about time I gave it another go. I couldn't put it down. Almost couldn't believe what I was reading, it was so good. Continued to read the other three and it was just a good all the way through. Was quite sad when I finished and it was all over.
It now has a permanent place in my library. I expect I'll enjoy it even more on my next reading. I can only dream of giving people as much joy as an author like Simmons.
It's nice that he ruminated on these old stories these books riff on without being smug about it.
It's sad that he didn't manage to resist the fear based, fiercely reactionary politics of the last quarter of a century or so.
Amazing book, I bought and loved the other 3, I still hope they do a good miniseries with the books.
the books are still on my to read list.
Like Frank Miller, it seems like 9/11 just broke him.
Add that he was a boomer and I was disappointed but not surprised when people started complaining about him.
* https://www.dignitymemorial.com/obituaries/longmont-co/danie...